Friedrich Lips

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 Montag, 20.November 2017 08:47 
RAM Gnessin Academy of Music

RAM Gnessin Academy of Music

 

"In comparison to other countries, at the same level of education, one thing unique to the Academy of Music is the emphasis on conducting. The Academy of Music is the highest institute in Russia for accordion, and one of the foremost in the world. The quality and number of the teachers we have is also quite unique. The Academy of Music holds the distinction as being the first institute where you could study the accordion at the same level as the other instruments.

The Gnessin Institute was founded in 1944, with the bayan studies beginning in 1948. The bayan department in fact, celebrated its 50 year anniversary last year. Another feature unique to the Academy of Music is the number of teachers. With 10-12 teachers, things are decided democratically. In other schools, teachers are free to endorse any particular style and teachings, however, at the Academy of Music, everything is decided among the teaching staff as a whole. Even at examinations, the jury consists of many teachers who evaluate the students. This is quite unique in the accordion field, to have so many accordion teachers within one school. The students are exposed to the musical knowledge of several teachers and thereby achieve a much broader musical background. There are on average five to seven teachers in every conservatory."

- Professor Friedrich Lips, RAM Gnessin Academy of Music

 

The Admissions Process of the RAM Gnessin Academy of Music

Authorized by the Academic Council

Citizens of the Russian Federation, foreign countries, foreign states (including citizens of republics of the former USSR) are eligible for admission to the RAM Gnessin Academy of Music, according to international agreements within the limits of estimated figures of admission by the Ministry of Education of Russia and according to direct contracts for the payment of the cost of training.

For all types of studies, as a rule, applicants who have Documents of the State (diplomas) from professional musical educational institutions can be admitted.

For the specialty "Management of the organization (management in musical culture)" applicants with Documents of the State (diplomas) demonstrating the completion of a full general secondary education or special music education can be admitted.

For day time courses, applicants 35 years or younger can be admitted.

For evening and correspondence courses the question of age restriction is solved by a selection committee on an individual basis.

For day time, evening and correspondence courses, applications are accepted from June 5th till July 4th, inclusive.

The following application documents are to be addressed to the rector:

Preferably, a Document of the State (diploma) demonstrating the completion of special music education or the completion of general education

6 photos 3х4

The passport, the identity card or birth certificate are personally shown

Entrance examinations are held from July 6th to July 20th

Mail to :

Российская Федерация
121069 г.Москва
ул. Поварская д.30/36
Российская Академия
Mузыки имени Гнесиных

Process of Competing for Tuition Scholarships

The same entrance examinations are required for entrants receiving tuition scholarships from the federal budget as are required for applicants paying tuition by some other means. Examinations for a specialty are listened to in a general order. Entrants who are paying tuition expenses independently are accepted by the regular process, prior to the beginning of the entrance exams. Entrants who did not win tuition scholarships can submit applications for paid training. The number of tuition scholarships distributed is determined by the decision of the Academy Council as a whole, representing the Academy.

Entrance Exams for the Bayan Specialty

Entrance exams for the Bayan specialty contain the following elements:

Performance of the program
Colloquium (conducting and interview)
Solfeggio (in writing and orally)
Harmony (in writing and orally)

Performance of the program

Audition programs should contain the following elements:

Polyphonic
Cyclical (a sonata, a suite, a concert, a variational cycle)
Character
Virtuoso

The program should contain both original compositions, and transcriptions.

Possible programs:

1.

JS Bach - Prelude and Fugue Re-Major (Volume 1 Well Tempered Klavier)
Vl.
Zolotaryov - Sonata no. 2
V. Semyonov - Guelder Rose
A.Cholminov - Scherzo

2.

D.Shostakovich - Prelude and Fugue e-minor
W.A. Mozart - Sonata № 13 Bb-Major
A.Repnikov - Capriccio
A.Timoshenko -
Я на камушке сижу

3.

JS Bach - Prelude and Fugue c-minor (Volume 1 Well Tempered Klavier)
A.Borodin - Nocturne
V.Zubitsky - Carpathian Suite
E.Derbenko - Toccata

4.

JS Bach - The Little Prelude and Fugue d-minor
N.Paganini - Perpetuum Mobile
A.Kusyakov - Sonata № 2.
S.Prokofiev - Pushkin Waltz
A.Khatchaturian - Toccata

Conducting

Entrants should:

- (продирижировать) two various products performed on the piano;
- answer questions about the piece - including structures of the work revealing knowledge, instrumentations, musical terminology;
- play on the piano the themes of selected works Possible programs:

1. N
. Fomin - «Не одна то во поле дороженька»
2.
L. Beethoven - Sonata no. 8 (2 nd Mvt.)
3.
A. Cholminov - Suite no. 1 (3rd Mvt.)
4. A. Dvorak - Slavonic Dance no. 2
5. Yu
. Sishakov - «Все-то веточки-кусточки»
6.
P. Tchaikovsky - Barcarole (or Autumn Song)
7.
N. Budashkin - Хороводная
8.
Grieg - Anitra's Dance
9. D. Shostakovich - Three Fantastic Dances
10. S. Prokofiev - Govotte for Classical Symphony

Colloquium

The colloquium reveals a common cultural level of the entrant - their musical education.

Entrant should show knowledge of questions concerning pedagogy, history of composition and instruments, creativity and the features of style of the composers whose compositions are selected for the entrance examinations and to state the basic information about the compositions.

Possible Colloquium Questions:

1. V.V.Andreeva's creative activity
2. Evolution of necessities for articulation and strokes
3. Transposition techniques of Russian national orchestra
4. The life and creativity of one of the composers submitted in the specialty entrance examination program
5. The review of the basic compositions of the author, whose compositions are included in the program of the conducting entrance examination

Within the framework of the colloquium, the entrant's knowledge of Russian is tested. Under dictation, some words and phrases with spelling and syntactic difficulties are written. The results are estimated separately by the system "зачет-незачет".

Music Theory

Solfeggio

Entrants should take an exam of tonal dictation including deviations from the form of the given period. Duration of exam: 25 minutes.

The exam will determine the hearing of intervals and chords (triads of all kinds and their manifestations), tonality and sound, harmonious sequences, deviations and modulations in a tonal relationship (generally and in chord-making), and to sight sing a melody.

Harmony

Entrants should: Harmonize a melody in the form of the period, including chromatisism, deviations and modulations in a diatonic tonal relationship. If one encounters (неаккордовые) they should be marked with an asterisk. Duration: 2 hours.

Play on a piano in a four-part statement modulation a diatonic tonality relationship: diatonic or a chromatic sequence, for example: II65 - V2 - I6; Analyze harmony in the given piece of music or part. For example: L.Beethoven. Piano Sonata № 10, Andante. Examples for the analysis should contain deviations and modulations, chords of group DD, (неаккордовые) sounds. An entrant should also know the full range of harmony in requirement of the specialty program of the music school.

Entrance Examination Scoring

All competitive examinations are scored on a 10 - mark system and the results of them are taken into account in a score for admission. At the performing faculties competition is carried out separately for day time, evening and correspondence courses of study. The entrants given examinations for the day time branch are forbidden to participate in the scholarship competition for the evening and correspondence branches (except for cases when the evening or correspondence branches develop empty seats as results of entrance examinations are formed).

Entrants who have not shown without valid reason for the examination, appointed under the schedule, and / or have also received an unsatisfactory score do not advance to further competitive examinations. Entrants who remove documents after the beginning of the entrance examinations are expelled from the competition.

Entrants who were given all examinations and did not pass the competition can appeal their applications for participation in competition or transfer.

The entrants having an honours degree upon graduating from a special musical educational institution pass the following exams:

Specialty

For the specialty of folk orchestral instruments - execution(performance) of the program, a colloquium including conducting (only 2 examinations)

Upon receiving not less than 18 points (from 20) at the specified 2 examinations, not less than 27 points (from 30) at the specified 3 examinations the entrant having an honours degree after graduating from a special educational institution is exempted from further examinations and is enlisted in school.

In other cases honours pupils of an educational institution pass all examinations.

Determining Scholarship Rate

Acting on IV rate (after a bachelor degree) on the institutions financed by means of the national budget, and as acting on paid forms for training by the tuition rates (II, III, IV) entrants must pass the following examinations:

Specialty
Colloquium

Reception of tuition from the rates due to means of the budget is carried out only at the presence of empty seats for a corresponding rate. The listing of any absence of seats in the given specialty is made on the payment form.

For reception of the second higher education

Graduates of a related specialty hand over:

Specialty
Colloquium

Graduates of other high schools hand over a full cycle of examinations on the specialty.

Testing of Russian is carried out within the framework of the colloquium and is scored separately on the system "зачет - незачет". In the event that entrants will have results handed over by the ЕГЭ, they will be taken into account at introductory testing of Russian with translation by the system "зачет - незачет".

The written notice of appeal can be sent the day of the announcement of a score and is considered within the day of the moment of submission.

Consideration of the appeal is not re-examination...

Contact Information

Address:
Российская Федерация
121069 г.Москва
ул. Поварская
д.30/36
Российская Академия Mузыки имени Гнесиных

Phone:
Entrance Examination : 291-56-62
Student Housing : 195-44-08

Faculty of the RAM Gnessin Academy of Music

Chair of Bayan Department:
Professor Friedrich Robertovitch Lips

Professors:
Yury Alexeevitch Vostrelov - Bayan
Boris Mikhailovitch Egorov - Bayan
Mikhail Iosovitch Imhanitsky - Bayan History
Viktor Porfir'evitch Kyzovlev - Bayan
Friedrich Robertovitch Lips - Bayan
Viatcheslav Aleksandrovitch Semyonov - Bayan
Viatcheslav Fillipovitch Belyakov - Bayan
Yuri Petrovitch Dranga - Accordion

Teachers:
Oleg Nikolevitch Gaponov - Bayan
Yuri Aleksandrovitch Sidorov - Bayan
Igor' Viktorovitch Sigroezhkin - Bayan

Assistants:
Vasily Vasilevitch Vasilev - Bayan History
Aleksandr Vladimirovitch Selivanov - Bayan
Mikhail Sergeevitch Bulgakov – Bayan

Accordion and Bayan Orchestra of the RAM Gnessin Academy of Music

The creative credo of this musical ensemble always was and remains the desire to bring to the student all the best creations in the history of international classical and modern music. In the past, the orchestra was conducted by such famous individuals as SP Gorchakov, VM Zinovyev, etc., since its foundation in 1952. The orchestra presently participates in active concert venues, and the concert repertoire of the orchestra named "AD Libitum" includes more than 150 compositions of various sizes by Russian and foreign composers.

 

  Letztes Update der angezeigten Seite: 30.April 2009, 22:09 

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